Welcome back, Susan! I'm thrilled to have you here again. Susan's newest installment of the Overhome Trilogy will release Oct. 14, 2016, from The Wild Rose Press.
What fun to interact on Nikki’s blog once again. Thanks for
inviting me, Nikki! I appreciate your suggestion to set up my Overhome Trilogy
so that previous readers can have their memories refreshed and new ones get a
glimpse into what came before my new release NOBODY KNOWS, third book in the cozy
mystery/Southern Gothic series. Remember, folks, Halloween arrives at the end
of October. Why not celebrate with a spooky series featuring ghosts, the
Overhome Trilogy.
 |
Sometimes even the most
fiercely guarded secrets are
destined to be revealed. |
A RED, RED ROSE,
the first book in the trilogy involves twenty-year-old Ashby Overton’s visit to
her family’s ancient historic estate Overhome in Southern Virginia. In search
of her roots, Ashby finds mysteries galore permeating the old plantation house
and grounds. Aided by Rosabelle, a family spirit inhabiting the oldest wing of
the mansion, Ashby discovers sins and secrets of the past, while acquiring
maturity and her own sense of self. Oh, and there’s a bit of romance involving
Luke, the stable boy and Ashby’s riding instructor, who does not believe in
ghosts.
 |
Sins and secrets of the past lie
buried deep beneath the stones. |
BENEATH THE STONES
picks up five years later finding Ashby, now owner of Overhome Estate, faced
with financial ruin; it’s up to her to find a solution. Selling off some of the
property seems a viable solution until a recalcitrant spirit hold-over from the
Civil War makes a determined stand against her every effort. Ashby must use her evolving sixth sense to
ferret out the mysterious past that surrounds the angry spirit determination.
And, yes, the romance deepens.
 |
Why do ancient spirits hover at the
crossroads between two worlds? |
NOBODY KNOWS,
third and final book, takes place five years afterwards. Now married and a
successful author, Ashby’s bucolic life is turned upside down by the arrival of
an African-American professor in search of his own roots: his ancestors
apparently derived from Overhome Estate: one a slave and one a plantation
master. Coinciding with a local effort to destroy a slave-built church, the
professor’s appearance stirs up slave spirits who wreak havoc on life at
Overhome. Everyone is depending on Ashby’s extrasensory ability to find the
source of discontent in order to quell the fury. For fun, a bit of both married and teen-age
romance.
With a
successful writing career and blissful marriage, Ashby Overton is fulfilled and
content at historic Overhome Estate in Southern Virginia'until a stranger walks
into her life. The arrival of Professor Ellis O. Grady coincides with a violent
and bizarre turbulence emanating from the dark world of Overhome's ancient
spirits.
As
paranormal events build into chaos, Ashby must use her sixth sense to sort out
the real from the imagined in both the visible and the invisible worlds as,
stirred into fury, the souls of Civil War slaves engage in a dangerous battle
destined to reveal long-held secrets of the past.
What is
the connection between the enigmatic professor, a slave-built chapel and a
restored overseer's cottage on Overhome Estate? Ashby struggles to find the
answers before the spirits destroy her family's heritage, and the lives of
those she loves.
What threads lead from first
book to last?
Many themes underlie the three novels. One overarching theme
is that we cannot overlook the past in terms of what we expect of the present
and future; layers of history affect our values and attitudes and may determine
our very destiny . The ghosts in each novel might be symbolic of the hold-overs
from the past that we cannot deny or ignore. Another major theme involves a
look at the culture and society of the South where long-held, hard-felt ideas
and beliefs often battle with modernity. The importance of family, cultural
diversity, and economic and regional clashes also resonate throughout the
series.
In terms of characters, all of the main characters and many
of the subordinate ones mature and grow with each succeeding novel. The
setting, Overhome Estate, remains the same, and the romance advances from
attraction to devotion. I call the series Mystery, History, Romance &
Ghosts!
Did you plan to write a trilogy or did it grow organically
as you wrote?
Although I thought A
RED, RED ROSE would be a stand-alone novel, subconsciously, I must have
known there was so much more to Ashby’s story; I left some issues unresolved
for some reason, right? When readers clamored for a sequel, I knew I was on a
roll. BENEATH THE STONES was
definitely an organic growth as I discovered over a dozen actual family letters
written from the Confederate battle fronts in Virginia in the midst of my
composing the novel. I was able to weave many of these into the story. NOBODY KNOWS pulls the saga full circle
to family in search of heritage. In spite of a continued story, I have written
each novel to stand alone.
Did your research lead you deeper into the history?
Oh my, yes! In fact, I find it very hard to know when to
stop researching and start writing! I use local sources such as the Bedford
Museum and the Museum of the Confederacy. I interview professors, farm owners
and workers, horse experts, large-animal doctors, blue grass musicians and a
host of others represented in my novels. And I read extensively—books,
articles, news clippings. I have become a bit of a Civil War wonk—at least when
it involves Virginia and our battles and soldiers in the Confederacy.
What got you started and is NOBODY KNOWS definitely the last?
My writer’s antennae went up while touring a supposedly
haunted historic estate in Northern Virginia. When I retired to Smith Mountain
Lake in the southern part of the state, I decided to look for a similar
property there and set my story on fictional Moore Mountain Lake. Once I found
the prototype for Overhome Estate, I was off and running.
I intend for NOBODY
KNOWS to end the series. However…if enough of my readers want more…who
knows?
What are you working on next?
I want to take a break from Gothics and write about the
mystery and drama taking place in a large public high school when a principal
without principle takes over. I’ll have plenty of fodder based on my thirty
years of public school teaching!
Is there anything you learned in the process of writing
these books that changed your way of thinking about the past, your life,
writing? In what ways?
I think I’ve found my niche writing contemporary characters
with a history background. I will
probably return to the genre after I finish my school-days book. I’ve also come
to appreciate the depth and width of history in Virginia, where the first
English colony was established in Jamestown in 1607—a rich heritage for a
Southern writer! Finally, writing romance does not come naturally to me, so
I’ve had to stretch my creative outreach there.
Excerpt from NOBODY
KNOWS:
Walking over the
weedy ground, I felt the desolate abandonment of those long-dead. A few tilting
gravestones, so blurred with time that their epitaphs were illegible, listed
toward the ground as if sheltering from a punishing wind. Scattered among the
patchwork grasses were small, thin stone markers set in the dirt, little more
than raw rocks, though several bore the faint outline of initials which had
been chiseled into them so long ago. Ellis and I surveyed the bleak cemetery,
each harboring our own thoughts. I don’t
know how long we stood there breathing in the silence. Then, I heard the
voice.—so clear, so distinct, that I startled and almost fell back. Did my
companion hear it, too? I darted a look at him. He stood with eyes closed,
evidently completely lost in his own reverie. I held my breath and listened
with all my senses on alert. The voice wavered this time, as though trailing
away, but its repeated message was identical to the one I had first heard at
the Overseer’s Cottage when the candlestick went missing. I had thought, then,
that I heard “red apple,” which made no sense. Now I understood. “Jared
Chapel,” the voice warned. Yes, its tone was severe. Demanding. “Jared Chapel.”
I touched Ellis’s
arm. “It’s here, Ellis. I know it is.” And when he blinked uncomprehendingly, I
added, “You wondered if Jared Chapel offers anything in your search for your
ancestry. It’s here—there’s something here. I feel it and I...I know it.”
He blinked
several times, a serious expression on his face. “You know because...”
“Sometimes the
past speaks to me. I can’t explain it, but I have to trust the voice that tells
me things.”
He rubbed his
chin. “You know...this is odd. Really odd.”
I raised my
eyebrows in a silent question and he continued. “Because I thought I heard
something. I definitely felt...a presence I can’t explain. Someone trying to
get my attention. Someone very, very seriously trying to make me understand.”
He shook his head. “Understand what? I confess, I’m baffled.”
“It’s a sign,” I
said. “Something I’ve learned over my years at Overhome. We ignore the signs at
our own peril.”
Anything else you’d like to add?
My books work well for book clubs because there’s plenty to
discuss with all the themes and symbolism and history. One local library
actually provides multiple copies of popular books for local clubs and I am
proud to report that both A RED, RED ROSE
and BENEATH THE STONES are available
through them. I’m hoping NOBODY KNOWS,
after it releases October 14th will join the other two.
Finally, I’d like to offer another thank-you for allowing me
to join you on your lovely blog.
It's been a delight, as always. Readers, I'm sure you'll enjoy all three of Susan's books. I know I'm looking forward to Nobody Knows.
In the green shadows of pines, Husband and I skidded over still-icy
trails beside the rushing Pemigewasset River, here just a brook; visited the noisy, swirling waters of The Basin; and paid our respects to the Old Man of the Mountain, the “Great Stone Face,” which fell in 2003 and is still mourned by Granite Staters. 
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